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From a woman willing to risk everything on her journey toward personal and sexual liberation (\u003c\/span\u003e\u003cem\u003eExtreme Private Eros: Love Song 1974\u003c\/em\u003e\u003cspan\u003e) to a man whose quest to expose Japanese wartime atrocities borders on madness (\u003c\/span\u003e\u003cem\u003eThe Emperor’s Naked Army Marches On\u003c\/em\u003e\u003cspan\u003e), the unforgettable subjects of these films are invited to be collaborators in Hara and Kobayashi’s process, resulting in works of unmatched power and immediacy.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ca href=\"https:\/\/www.criterion.com\/films\/30721-goodbye-cp\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a1063214b974810d0f12500ec702e1ff\/JoXb94BhYoOqw0ZcvFZc14TclELl1F_small.jpg\" alt=\"Goodbye CP\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cp class=\"film-set-title\"\u003eGoodbye CP\u003c\/p\u003e\n \n\u003cp class=\"film-set-year\"\u003e1972\u003c\/p\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eAn early documentary to portray the experiences of disabled people with compassion and complexity, Kazuo Hara’s searing debut is also one of the most unflinching films ever made about what it means to be an outsider. Produced in collaboration with the Green Lawn—a group of activists with cerebral palsy—\u003cem\u003eGoodbye CP \u003c\/em\u003eblends shot-on-the-fly footage of the members’ seemingly Sisyphean struggle to take their message to the streets with raw, sometimes confrontational interviews in which they reveal the torment of living in a society cruelly indifferent to their existence. In making his subjects active participants in the film—a practice he would continue—Hara powerfully asserts the humanity and agency of those who have long been denied both.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30722-extreme-private-eros-love-song-1974\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/b424de01aa35f64997853dca71009089\/uS59eIi1gvG5XqSKtd9jtHI12lnbG9_small.jpg\" alt=\"Extreme Private Eros: Love Song 1974\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cp class=\"film-set-title\"\u003eExtreme Private Eros: Love Song 1974\u003c\/p\u003e\n \n\u003cp class=\"film-set-year\"\u003e1974\u003c\/p\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eWhen his first wife, the outspoken feminist Miyuki Takeda, announced that she was leaving him in order to find herself, Kazuo Hara began this radical documentary as a way both to maintain their complex relationship and to make sense of it. Assisted by his new partner, Sachiko Kobayashi, Hara is granted shockingly intimate access to Takeda’s wayward journey toward liberation, as she explores her sexuality, becomes a single mother, and grows increasingly disenchanted with traditional social structures. As complicated and uncompromising as Takeda herself, \u003cem\u003eExtreme Private Eros: Love Song 1974\u003c\/em\u003e explodes the boundaries between subject and filmmaker to portray a woman willing to risk everything to live on her own terms.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30723-the-emperor-s-naked-army-marches-on\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/f889c690f74ccdbf1cd9e8691913161a\/Gt5n5QMAQI0tN8DhySTLcBl8FTGMf1_small.jpg\" alt=\"The Emperor’s Naked Army Marches On\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cp class=\"film-set-title\"\u003eThe Emperor’s Naked Army Marches On\u003c\/p\u003e\n \n\u003cp class=\"film-set-year\"\u003e1987\u003c\/p\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eKazuo Hara’s most renowned film is a harrowing confrontation with one of Japanese history’s darkest chapters. His unforgettable subject and collaborator in \u003cem\u003eThe Emperor’s Naked Army Marches On\u003c\/em\u003e is Kenzo Okuzaki—a former soldier, convicted murderer, and defiantly antiestablishment agitator—who has made it his life’s mission to expose the crimes committed by Japanese officers against their own men in New Guinea during World War II. As Okuzaki resorts to extreme measures in his crusade to find out the truth, what emerges is at once a shocking piece of investigative journalism, a courageous condemnation of militarism, and a riveting portrait of a single-minded man driven by a raw fury bordering on madness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30724-a-dedicated-life\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/d6f4637ce044dfdedf913f8af3e4c28d\/81mFgkQHICpKMZZsdG10wtmcaUXuSa_small.jpg\" alt=\"A Dedicated Life\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cp class=\"film-set-title\"\u003eA Dedicated Life\u003c\/p\u003e\n \n\u003cp class=\"film-set-year\"\u003e1994\u003c\/p\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eKazuo Hara’s interest in iconoclastic figures living in opposition to mainstream society led him to work on \u003cem\u003eA Dedicated Life,\u003c\/em\u003e a fly-on-the-wall portrait of the controversial novelist Mitsuharu Inoue, a sometimes charming, sometimes combative, often frustrating literary lion of postwar Japan. The project, however, soon spins off into unexpected directions, first when Inoue is diagnosed with terminal cancer, then when Hara discovers that the writer’s fictions extend to the fabricated details of his own life. As the ailing author confronts his mortality, Hara begins trying to separate the man from the myth, resulting in a layered portrait of a complex figure whose life was an extension of his art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30725-sennan-asbestos-disaster\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/844108c1e8e0a6c3302f1ba3edb0488a\/maL9IG3bQMETu4XBrCrnisPIKRjHDc_small.jpg\" alt=\"Sennan Asbestos Disaster\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cp class=\"film-set-title\"\u003eSennan Asbestos Disaster\u003c\/p\u003e\n \n\u003cp class=\"film-set-year\"\u003e2016\u003c\/p\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eMade over the course of ten years, this epic work of activist cinema joins the citizens of Sennan, Osaka, as they embark on an uphill legal battle to receive reparations from the government for exposing them to the deadly toxins of the city’s asbestos factories. 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Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2\"\u003eFilms In This Set\u003c\/h4\u003e\n\u003cdiv class=\"film-sets-contain\"\u003e\n\u003ca href=\"https:\/\/www.criterion.com\/films\/33262-boy-meets-girl\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/4097e4d312bed9daeb561652a261987b\/NyF7wqZky9e4QLs4KRBb1CIBi8ccg5_small.jpg\" alt=\"Boy Meets Girl\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eBoy Meets Girl\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1984\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eMade when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBoy Meets Girl\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eevokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30356-mauvais-sang\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/137a0b504c64ce9be5e87bbbe87e6dd6\/cqYLiHL7ve8PgimM2gOxtbgrM5ZBad_small.jpg\" alt=\"Mauvais sang\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eMauvais sang\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1986\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eWith his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMauvais sang\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30355-the-lovers-on-the-bridge\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/2489f81792d120ce663840c2f41bde49\/TEUWA0DAZV6xykeM68OouNuzfETw1e_small.jpg\" alt=\"The Lovers on the Bridge\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Lovers on the Bridge\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1991\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eWith this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restorations, with uncompressed monaural (\u003cem\u003eBoy Meets Girl\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMauvais sang\u003c\/em\u003e) and 5.1 surround DTS-HD Master Audio (\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e) soundtracks\u003c\/li\u003e\n\u003cli\u003eIn the 4K UHD edition: Three 4K UHD discs of the films (with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresented in Dolby Vision HDR) and three Blu-rays with the films and special features\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIt’s Not Me\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2024), a self-portrait film by director Leos Carax\u003c\/li\u003e\n\u003cli\u003eNew interviews with actor Denis Lavant and editor Nelly Quettier\u003c\/li\u003e\n\u003cli\u003eNew video essay on the cinematography of Jean-Yves Escoffier\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMeet the Filmmakers: Leos Carax,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea Criterion Channel original interview\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMr. X: A Vision of Leos Carax\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2014), a documentary on Carax’s work\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLe Pont-Neuf des amants\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1991), a documentary on the making of the main set for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted scene, rushes, screen tests, behind-the-scenes footage, and trailers\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by author Amina Cain\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eNew cover by Cecilia Carlstedt\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restorations, with uncompressed monaural (\u003cem\u003eBoy Meets Girl\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMauvais sang\u003c\/em\u003e) and 5.1 surround DTS-HD Master Audio (\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e) soundtracks\u003c\/li\u003e\n\u003cli\u003eIn the 4K UHD edition: Three 4K UHD discs of the films (with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresented in Dolby Vision HDR) and three Blu-rays with the films and special features\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIt’s Not Me\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2024), a self-portrait film by director Leos Carax\u003c\/li\u003e\n\u003cli\u003eNew interviews with actor Denis Lavant and editor Nelly Quettier\u003c\/li\u003e\n\u003cli\u003eNew video essay on the cinematography of Jean-Yves Escoffier\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMeet the Filmmakers: Leos Carax,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea Criterion Channel original interview\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMr. X: A Vision of Leos 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Shifting between the perspectives of the brilliant but callous Victor Frankenstein (Oscar Isaac) and the creature (Jacob Elordi) he fashions from flesh and then cruelly mistreats, del Toro movingly reframes the legend as a story of fathers and sons struggling to break free from cycles of trauma. A decades-in-the-making triumph of darkly ravishing visual invention and operatic storytelling, \u003c\/span\u003e\u003cem\u003eFrankenstein\u003c\/em\u003e\u003cspan\u003e is a deeply personal statement from a director who has long been drawn to the realm where men and monsters merge.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital master of the theatrical version of the film, with Dolby Atmos soundtrack\u003c\/li\u003e\n\u003cli\u003e4K digital master of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrankenstein: The Reborn Cut,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea new 158-minute extended director’s cut of the film, with Dolby Atmos soundtrack\u003c\/li\u003e\n\u003cli\u003eTwo 4K UHD discs of the films presented in Dolby Vision HDR and two Blu-rays with the films and special features\u003c\/li\u003e\n\u003cli\u003eNew audio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Reborn Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeaturing director Guillermo del Toro\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Anatomy Lesson: Director’s Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea new documentary on the making of the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Parlour,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea collection of conversations on craft featuring del Toro; actors Jacob Elordi, Mia Goth, and Oscar Isaac; cinematographer Dan Laustsen; production designer Tamara Deverell; costume designer Kate Hawley; and creature designer Mike Hill\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;As moderated by filmmaker Martin Scorsese and musician Patti Smith\u003c\/li\u003e\n\u003cli\u003eInterview with composer Alexandre Desplat conducted by film-music scholar Jon Burlingame\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing and English descriptive audio\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by scholar and author Christopher Frayling\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Denver Balbaboco\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital master of the theatrical version of the film, with Dolby Atmos soundtrack\u003c\/li\u003e\n\u003cli\u003e4K digital master of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrankenstein: The Reborn Cut,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea new 158-minute extended director’s cut of the film, with Dolby Atmos soundtrack\u003c\/li\u003e\n\u003cli\u003eNew audio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Reborn Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeaturing director Guillermo del Toro\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Anatomy Lesson: Director’s Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea new documentary on the making of the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Parlour,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea collection of conversations on craft featuring del Toro; actors Jacob Elordi, Mia Goth, and Oscar Isaac; cinematographer Dan Laustsen; production designer Tamara Deverell; costume designer Kate Hawley; and creature designer Mike Hill\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;As moderated by filmmaker Martin Scorsese and musician Patti Smith\u003c\/li\u003e\n\u003cli\u003eInterview with composer Alexandre Desplat conducted by film-music scholar Jon Burlingame\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing and English descriptive audio\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by scholar and author Christopher Frayling\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Denver Balbaboco\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED THREE-DVD SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital master of the theatrical version of the film\u003c\/li\u003e\n\u003cli\u003e4K digital master of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrankenstein: The Reborn Cut,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea new 158-minute extended director’s cut of the film\u003c\/li\u003e\n\u003cli\u003eNew audio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Reborn Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeaturing director Guillermo del Toro\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Anatomy Lesson: Director’s Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea new documentary on the making of the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Parlour,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea collection of conversations on craft featuring del Toro; 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Tracing his evolution from independent maverick to Hollywood rebel to visionary transnational auteur whose every film from the mid-1960s on became a manifesto of a radically new sensibility,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Complete Kubrick\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together the entirety of a body of work that opened popular cinema up to new realms of moral profundity and metaphysical mystery.\u003c\/p\u003e\n\u003cp\u003eCollected here for the first time are Kubrick’s thirteen features and three shorts, all restored in 4K, with their original soundtracks alongside the 5.1 mixes, restored and remastered; over twenty-five hours of interviews, documentaries, and behind-the-scenes materials; and deluxe packaging illustrated with rare photographs, artwork, and documents annotated by Kubrick himself, all housed in a singular box inspired by the director’s legendary archive.\u003c\/p\u003e\n\u003csection class=\"film-sets-list\" data-sticky-left-end=\"\" data-sticky-left-content-end=\"\"\u003e\n\u003ch4 class=\"header_lvl2\"\u003eFilms In This Set\u003c\/h4\u003e\n\u003cdiv class=\"film-sets-contain\"\u003e\n\u003ca href=\"https:\/\/www.criterion.com\/films\/28346-killer-s-kiss\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/dcc7d3288d436ed7642f47a56077b9e8\/UYPd6QLWkFTSbTOhEozWBDuN9ndss9_small.jpg\" alt=\"Killer’s Kiss\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eKiller’s Kiss\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1955\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/27751-the-killing\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/d26398a163f5e16ce32c8ba6e75f0353\/zuW5ETXJQgMVz1gbZzZhg6O3cKc0xJ_small.jpg\" alt=\"The Killing\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Killing\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1956\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/27522-paths-of-glory\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a8e49cef001036cc0cda5b3202b5fc88\/kxRNWAq1aRCTLzbsZe0z9Yz30JEwEc_small.jpg\" alt=\"Paths of Glory\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003ePaths of Glory\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1957\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/449-spartacus\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/3a6abb097f4a192d32cf112db7bf304e\/NRCTZC8EuyAcArktZELlVFZke87C1y_small.jpg\" alt=\"Spartacus\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eSpartacus\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1960\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/29573-lolita\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/1a7c95e56f6d8791452531041e500843\/oyDAhrCtQ0NCtfVzQlQVAG9S3Pdwq8_small.jpg\" alt=\"Lolita\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eLolita\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1962\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/28822-dr-strangelove-or-how-i-learned-to-stop-worrying-and-love-the-bomb\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/30514147cd6b078711d3a232cdffb941\/fgjMTYmvDkQMUEQGNPuT8UkHetcGvh_small.jpg\" alt=\"Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eDr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1964\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/35286-2001-a-space-odyssey\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/2ab88200f10426e3f34168d2c261e8c7\/ZSrZmLwlCrTutqbfBCCYUuKgCLoCc4_small.jpg\" alt=\"2001: A Space Odyssey\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003e2001: A Space Odyssey\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1968\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30441-a-clockwork-orange\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a3fd67fc363a7fa8fc6e627191ed00e7\/GMQ9Ti1y7uM6uqeVU7hPsAgeoMgOja_small.jpg\" alt=\"A Clockwork Orange\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eA Clockwork Orange\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1971\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/29008-barry-lyndon\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/0fbff66f37cacc439449f3bf88cd4ec7\/BRRRtyfYnkI8UPgxeWLL0QaJH3EpBQ_small.jpg\" alt=\"Barry Lyndon\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eBarry Lyndon\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1975\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/35285-the-shining\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/4d48d6fcafb000e59bf8db8f6b296cd0\/NpgXM1RVOwDVhY2fugnNmRYIZgJbjy_small.jpg\" alt=\"The Shining\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Shining\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1980\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/34961-full-metal-jacket\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/cad866ae1fdb138bdb85164b07468dc5\/5YXLmLRoO3mTPQbwNGJYg7ZxEhrkGV_small.jpg\" alt=\"Full Metal Jacket\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eFull Metal Jacket\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1987\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/34534-eyes-wide-shut\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/908707a6366e13759893d1c4d060ce0f\/uRNQjVAuCdOHbvoaP0u8Dv7V0V0iQK_small.jpg\" alt=\"Eyes Wide Shut\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eEyes Wide Shut\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1999\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"product-features product-features-set collapse pk-boxset-product-features\"\u003e\n\u003cdiv class=\"collapse-contain content-container\"\u003e\n\u003cdiv class=\"max-width-container\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eTHIRTY-DISC 4K UHD + BLU-RAY SPECIAL EDITION COLLECTOR’S SET FEATURES\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e4K restorations of director Stanley Kubrick’s thirteen features and three shorts, presented in Dolby Vision HDR, with the original monaural PCM soundtracks and 5.1 surround DTS-HD Master Audio remixes, restored and remastered\u003c\/li\u003e\n\u003cli\u003eKubrick’s international version of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Shining\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew 4K restoration of Vivian Kubrick’s behind-the-scenes documentary\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaking “The Shining”\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew audio commentaries featuring filmmaker Lee Unkrich (editor of the book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStanley Kubrick’s “The Shining”\u003c\/em\u003e) and author Michael Benson (\u003cem\u003eSpace Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eNew conversation between novelist Jonathan Lethem and film historian Kevin Wynter on Kubrick and authorship\u003c\/li\u003e\n\u003cli\u003eUnseen\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLolita\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003escreen tests with actors James Mason and Sue Lyon and rare\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFull Metal Jacket\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ebehind-the-scenes footage\u003c\/li\u003e\n\u003cli\u003eArchival interviews with Alexander Singer, Christiane Kubrick, Kirk Douglas, Jean Simmons, Peter Ustinov, George C. Scott, Peter Sellers, Sue Lyon, Scatman Crothers, Kelvin Pike, John Alcott, Wendy Carlos, Douglas Trumbull, Steven Spielberg, and Martin Scorsese\u003c\/li\u003e\n\u003cli\u003eDocumentaries including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStanley Kubrick: A Life in Pictures\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2001), directed by Jan Harlan and narrated by Tom Cruise;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKubrick by Kubrick\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2020), told in Kubrick’s own words;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStaircases to Nowhere\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2013, expanded 2026), about the making of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Shining;\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStanley Kubrick’s Boxes\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2008), about the trove of archival materials left behind by Kubrick\u003c\/li\u003e\n\u003cli\u003eDeluxe packaging illustrated with rare photographs, artwork, and documents annotated by Kubrick himself, all housed in a singular box inspired by the director’s legendary archive\u003c\/li\u003e\n\u003cli\u003eAn essay by author and critic Nathaniel Rich\u003c\/li\u003e\n\u003cli\u003eAnd much more . . .\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003ePackaging design by Drusilla Adeline\/Sister Hyde Design\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":50048091947285,"sku":null,"price":450.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/DkEWk7DhlrVrMT5auXnYOWBdMRW13U_large_a1a1a334-ae65-4756-a9eb-243bd0f36f34.jpg?v=1784590259"},{"product_id":"eclipse-series-5-the-first-films-of-samuel-fuller-blu-ray-preorder","title":"Eclipse Series 5: The First Films of Samuel Fuller (Blu-ray) PREORDER","description":"\u003cp\u003eStreet Date: 10\/13\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eI\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eHis films have been called raw, outrageous, sensational, and daring. In four decades of directing, Samuel Fuller created a legendarily idiosyncratic oeuvre, examining U.S. history and mythmaking in westerns, film noirs, and war epics. And, characteristically, it all began with a bang: after “printing the legend” with the elegant B pictures\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Shot Jesse James\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Baron of Arizona,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ehe got himself into hot water with the FBI with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Steel Helmet,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe first American movie to portray the Korean War. These three independent films—showing off Fuller’s genre diversity, gutter wit, and subversive force—set the stage for his controversial career in moviemaking.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sharetools  sharetools-boxset\"\u003e\n\u003cp class=\"header_lvl2 quillgray\"\u003eShare\u003c\/p\u003e\n\u003cul class=\"shareList\" data-share-link=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-facebook\" data-share-type=\"facebook\" title=\"Share on Facebook\"\u003e\u003csvg width=\"8\" height=\"16\" viewbox=\"0 0 8 16\" role=\"img\" aria-labelledby=\"share_fb\"\u003e\u003cpath d=\"M4.964 16V8h2.21l.292-2.758H4.964l.004-1.38c0-.72.068-1.105 1.1-1.105H7.45V0H5.24C2.59 0 1.655 1.338 1.655 3.587v1.655H0V8h1.654v8h3.31z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-twitter\" data-share-type=\"twitter\" title=\"Share on Twitter\"\u003e\u003csvg width=\"16\" height=\"14\" viewbox=\"0 0 16 14\" role=\"img\" aria-labelledby=\"share_tw\"\u003e\u003cpath d=\"M7.77 4.295l.034.572-.578-.07c-2.105-.27-3.943-1.18-5.503-2.708L.96 1.33l-.197.56C.347 3.14.613 4.46 1.48 5.346c.462.49.358.56-.44.27-.277-.094-.52-.164-.543-.13-.08.082.197 1.144.416 1.565.3.583.914 1.155 1.584 1.493l.567.27-.67.01c-.648 0-.67.012-.602.257.23.76 1.144 1.564 2.162 1.914l.717.246-.624.373c-.925.537-2.01.84-3.098.864-.52.01-.948.058-.948.093 0 .117 1.41.77 2.23 1.027 2.464.76 5.39.432 7.585-.863 1.56-.923 3.122-2.755 3.85-4.53.393-.944.786-2.672.786-3.5 0-.537.036-.607.683-1.25.382-.373.74-.78.81-.898.115-.222.104-.222-.486-.023-.983.35-1.122.303-.636-.222.36-.373.787-1.05.787-1.248 0-.035-.173.023-.37.128-.208.117-.67.292-1.017.397l-.624.2-.567-.386c-.313-.21-.752-.443-.984-.513-.59-.163-1.49-.14-2.023.047-1.445.525-2.358 1.88-2.254 3.36z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-email\" data-share-type=\"email\" title=\"Share via email\"\u003e\u003csvg width=\"18\" height=\"14\" viewbox=\"0 0 18 14\" role=\"img\" aria-labelledby=\"share_em\"\u003e\u003cpath d=\"M18 12.293c0 .66-.54 1.21-1.142 1.21H1.142c-.602 0-1.142-.55-1.142-1.21V1.557C0 .92.498.39 1.1.37l.02-.067h15.717l.02.066h.27-.27C17.482.37 18 .896 18 1.556v10.736zm-1.39-1.716V3.23L12.06 6.902l4.547 3.674zm0-8.8H1.39C3.925 3.8 6.458 5.825 8.99 7.87c2.532-2.045 5.065-4.07 7.62-6.093zm0 10.252l-5.482-4.38-1.453 1.19h-1.39L6.85 7.672 1.39 12.03h15.22zM5.916 6.902L1.39 3.23v7.347l4.527-3.674z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-link\" data-share-type=\"clipboard\" title=\"Copy a Link\"\u003e\u003csvg width=\"16\" height=\"17\" viewbox=\"0 0 16 17\" role=\"img\" aria-labelledby=\"share_ln\"\u003e\u003cpath d=\"M11.065 7.295c-.2-.447-.478-.868-.844-1.234s-.787-.645-1.234-.844l-.554.554-.384.384-.4.4c-.074.074-.137.154-.192.238.53.035 1.026.25 1.405.628.39.39.594.89.627 1.402.02.284-.016.568-.107.84-.1.304-.263.59-.5.833-.007.007-.012.016-.018.023l-.454.453-.63.63-.586.588-1.53 1.53c-.414.413-.963.64-1.55.64-.584 0-1.135-.227-1.548-.64-.414-.414-.642-.965-.642-1.55 0-.585.228-1.136.642-1.55l1.532-1.532c-.088-.27-.15-.55-.19-.83-.027-.21-.047-.42-.048-.63-.003-.388.045-.776.135-1.155l-2.79 2.79c-1.604 1.606-1.604 4.21 0 5.816.804.803 1.857 1.205 2.91 1.205 1.052 0 2.105-.4 2.908-1.204l2.785-2.784.415-.414c.237-.238.435-.5.602-.774.263-.43.442-.898.53-1.38.047-.247.072-.498.072-.75 0-.307-.037-.613-.105-.914-.06-.26-.144-.517-.255-.765zm3.73-5.81C13.994.683 12.94.28 11.89.28c-1.053 0-2.106.403-2.91 1.206L6.196 4.27l-.415.415c-.237.237-.435.5-.602.773-.263.43-.442.898-.532 1.38-.046.248-.07.5-.07.75 0 .307.037.613.105.914.06.26.145.517.255.765.2.447.478.868.845 1.234.367.368.787.647 1.234.846l.554-.553.385-.385.4-.4c.073-.073.136-.153.19-.238-.53-.035-1.025-.248-1.404-.628-.392-.39-.594-.893-.628-1.405-.018-.283.017-.565.108-.837.1-.304.263-.59.5-.833.007-.007.012-.016.02-.023l.452-.453.63-.63.587-.586 1.528-1.53c.414-.413.964-.64 1.55-.64.585 0 1.135.227 1.548.64.855.855.855 2.245 0 3.1l-1.532 1.532c.088.272.15.55.19.83.028.21.047.42.048.63.003.388-.045.776-.135 1.155l2.79-2.788c1.604-1.606 1.604-4.21 0-5.817z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003csection class=\"film-meta\"\u003e\u003c\/section\u003e\n\u003csection class=\"film-sets-list\" data-sticky-left-end=\"\" data-sticky-left-content-end=\"\"\u003e\n\u003ch4 class=\"header_lvl2\"\u003eFilms In This Set\u003c\/h4\u003e\n\u003cdiv class=\"film-sets-contain\"\u003e\n\u003ca href=\"https:\/\/www.criterion.com\/films\/882-i-shot-jesse-james\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/301484f3bb6e6d5e796b295dc8afc2b8\/BwDLVciYzS93iqOJSPmGv3tnIs1CIl_small.jpg\" alt=\"I Shot Jesse James\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eI Shot Jesse James\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1949\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eAfter years of crime reporting, screenwriting, and authoring pulp novels, Samuel Fuller made his directorial debut with the lonesome ballad of Robert Ford (played by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRed River\u003c\/em\u003e’s John Ireland), who fatally betrayed his notorious friend Jesse James. At once modest and intense,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Shot Jesse James\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an engrossing pocket portrait of guilt and psychological torment, and an auspicious beginning for the maverick filmmaker.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/881-the-baron-of-arizona\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a4370343b3745c53409fc1257111e2d4\/jszxd8c0hNDjtncagPUo9jwsMLAr4u_small.jpg\" alt=\"The Baron of Arizona\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Baron of Arizona\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1950\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eIn one of his own favorite roles, Vincent Price portrays legendary swindler James Addison Reavis, who in 1880 concocted an elaborate and dangerous hoax to name himself the “Baron” of Arizona, and therefore inherit all the land in the state. Samuel Fuller adapts this tall tale to film with fleet, elegant storytelling and a sly sense of humor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/445-the-steel-helmet\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a8b4f14971765a8c9d0089162f5ff670\/YgEfLLy59a3BFNaIY3yd8s7Qjq7Hsr_small.jpg\" alt=\"The Steel Helmet\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Steel Helmet\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1951\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e\u003cem\u003eThe Steel Helmet\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emarked Samuel Fuller’s official arrival as a mighty cinematic force. Despite its relatively low budget, this portrait of Korean War soldiers dealing with moral and racial identity crises remains one of the director’s most gripping, realistic depictions of the blood and guts of war, as well as a reflection of Fuller’s irreducible social conscience. So controversial were the film’s comments on domestic and war crimes (American bigotry, the Japanese American World War II internment camps) that Fuller became the target of an FBI investigation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"product-features product-features-set collapse pk-boxset-product-features\"\u003e\n\u003cdiv class=\"collapse-contain content-container\"\u003e\n\u003cdiv class=\"max-width-container\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eSpecial Features\u003c\/h4\u003e\n\u003cp\u003eAn essay by film critic Nick Pinkerton\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"THE CINEVAULT","offers":[{"title":"Blu-ray","offer_id":50048092307733,"sku":null,"price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/DMLhPASyN4mebGwEdTLe55OU3LqnXn_large_3caf439a-eed5-46da-bd26-34b2b9cfafcb.jpg?v=1784590373"},{"product_id":"city-of-life-and-death-blu-ray-2009","title":"City of Life and Death Blu-ray","description":"\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2011\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRuntime:\u003c\/strong\u003e 132 min\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Lu Chuan\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCast:\u003c\/strong\u003e Liu Ye, Gao Yuanyuan, Hideo Nakaizumi, John Paisley, Beverly Peckous\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStudios:\u003c\/strong\u003e Media Asia Films, Stellar Megamedia, Jiangsu Broadcasting, Chuan Production Film Studio, China Film Group Corporation\u003c\/p\u003e\u003cp\u003eIn 1937, during the height of the Second Sino-Japanese War, the Imperial Japanese Army has just captured Nanjing, then-capital of the Republic of China. What followed was known as the Nanking Massacre, or the Rape of Nanking, a six week period wherein tens of thousands of Chinese soldiers and civilians were killed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCITY OF LIFE AND DEATH Presented in DTS HD Master Audio 5.1. Trailers. Stills.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e(SD DVD): MATTERS OF LIFE AND DEATH: The Making of Lu Chuan's City of Life and Death.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTechnical Specifications:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDTS-HD Master Audio 5.1\u003c\/li\u003e\n\u003cli\u003e1920 x 1080p\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The CineVault","offers":[{"title":"NEW","offer_id":50064073883925,"sku":"CITY-OF-LIFE-AND-DEATH-BLU-RAY-2009-NEW","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/xY6OUM2aRCmmq1ySTg2eu5rVmcq.jpg?v=1785438468"},{"product_id":"the-wong-kar-wai-collection-na","title":"The Wong Kar-wai Collection DVD","description":"\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 0\u003c\/p\u003e","brand":"The CineVault","offers":[{"title":"USED","offer_id":50064077488405,"sku":"THE-WONG-KAR-WAI-COLLECTION-NA-USED","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/1785437645116-tpqpb2kfej-IMG_1355.jpg?v=1785439097"},{"product_id":"yearly-membeship","title":"YEARLY MEMBERSHIP","description":"\u003cp\u003eBuy One Year of our Monthly Membership in Advance and SAVE!\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRent 4 movies at a time with unlimited exchanges!\u003c\/li\u003e\n\u003cli\u003eGet access to secret events in-store \u0026amp; with partner theaters!\u003c\/li\u003e\n\u003cli\u003eConcierge recommendation services!\u003c\/li\u003e\n\u003cli\u003e15% in-store discount on merch and movies!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The CineVault","offers":[{"title":"Default Title","offer_id":50064216195349,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/YEARLY-MEMBERSHIP.jpg?v=1785451978"}],"url":"https:\/\/thecinevault.com\/collections\/over-40.oembed","provider":"The CineVault","version":"1.0","type":"link"}